History of the library

Alongside local production, the library has been enriched over the centuries with specimens from the Lombardy area as well as from more distant regions, including the Alcuin Bible, made in the Carolingian era by the French monastic scribe of Tours.

Also from the same period is the very rich donation of Berengario, made famous by the magnificent Eburne diptychs that “bind” the codes, and which today we can admire in the museum, as well as for the absolute value of the volumes they adorned.

In the wake of the Imperial donation, others followed and, more consistently at the beginning of the year 1000, significantly enriched the library.

About sixty new volumes are added only during the course of the twelfth century: they are generally texts of a biblical and liturgical character, donated mainly by canons.

In the centuries immediately following, the heritage of the Library has a partial halt and the small number of manuscripts of non-ecclesiastical nature is the reflection of a cultural environment less vital than before; However, a small repertoire of legal texts surrounding the important collection of the ninth century is interesting as it testifies to the flourishing of the schools of canon law.

During the fifteenth century, the Library is subject to a reorganization, which sees restoration and conservation initiatives of the previous materials present, with the binding of numerous codes. The life of the Library seems to continue quietly until 1797, when the Napoleonic authorities confiscated the entire Library and the Treasury of the Cathedral.

The library materials then become part of the library of Napoleon, which imposes the binding with imperial coat of arms of multiple codes, thus making it de facto, if not impossible, very difficult to reconstruct their history.

With the Treaty of Vienna in 1817, 115 manuscripts were finally returned to Monza, but only one third of the incunabula confiscated by the French. As far as the composition of the materials in the Library is concerned, the liturgical codes represent a substantial part and constitute the richest group of medieval codes.

From the Museum’s Bookshop
MONZA dai Longobardi agli Asburgo
Mappa tematica della città
Ed. Fondazione Gaiani (aprile 2018)
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The visitors of the Museum

“A wonderful place to get lost and travel back in time to know the History”

Mattia Manzoni

A little gem to discover

The Cathedral of Monza, together with the chapel of Teodolinda and the Museum, is a small gem to discover (and rediscover) in the heart of Lombardy. Exhibition rich in late-antique and Lombard artifacts (if you studied art history, half of the illustrations of your book will see them live here), the small museum of the Cathedral is worth a visit, given the overall negligible cost to access it.
Different speech for the Chapel of Theodolinda, which requires mandatory reservation. If you want to do it directly on the spot, we recommend that you aim for the less frequented times, so as to find free places. In any case, it is a destination that I strongly recommend and that deserves, alone, the visit of Monza. It is a 360 degrees immersion in the great art of the fifteenth century and in the history of the duchy of Milan, of which Monza was one of the protagonists.

Giorgio Alfredo Spedicato

Absolutely recommended

I visited this museum during a weekend in early January. The museum is not very large, but it shows with skill various paintings and ancient artifacts of mainly religious theme. Absolutely recommended for lovers of the late Roman and early medieval period.

Fabio Mini

Truly unique treasures

The museum is well stocked with well-preserved medieval finds. Truly unique treasures. To see the crown, wonderful iron, you must book the visit with a guide as it is located inside the cathedral in the chapel of Theodolinda that I recommend visiting.

Mariantonia Ronchetti

Chapel of Theodolinda: wonderful

Chapel of Theodolinda: wonderful. Excellent guide and its directions. The museum is very well set up and preserves treasures worthy of note. With the purchase of the ticket you will receive “your passport” with all the artistic sites of the city of Monza.

Cristy Giuliani

Fourteen centuries of history art among unique masterpieces

Quando si visita il duomo di Monza bisognerebbe visitarne anche il museo e la cappella di Teodolinda.
Quattordici secoli d’arte di storia tra capolavori unici al mondo, dall’eredità Longobarda all’arte contemporanea, mentre nella cappella Teodolinda ci sono 45 splendide scene dipinte dagli zavattari e la Corona ferrea custodita dentro la cappella. La guida alla cappella viene fatta ogni mezz’ora ed è quasi obbligatoria la prenotazione.

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Museum and Treasury of Monza Cathedral
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